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Female archetypes in car advertising

The case of Audi

Bibliographic Data

ID12700473
AuthorsMaría del Mar Rubio-Hernández (0000-0001-8402-8067, Universidad de Sevilla, corresponding author), Ángeles Martínez-García (0000-0002-9102-9583, Universidad de Sevilla)
Year2022
Volume24
Issue1
Pages178-195
Publication date2022-09-02
Open AccessYes
TypeARTICLE
VenueVisual Communication (JOURNAL)
Journal identifiersISSN: 1470-3572 • E-ISSN: 1741-3214
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/14703572221116126
OpenAlexW4294415820
LanguageEN
References cited5

The representation of women in advertising is based on constructs that have become consolidated in Western culture, giving rise to different archetypes that express the values and ways of thinking of each age. As in other media discourses, advertising resorts to elements, such as archetypes and myths, which shape the collective imaginary and are very effective devices, for they are recognizable to viewers and help to engage them. Specifically, this article focuses on car advertising, whose significance lies in the fact that it has traditionally been a sphere of male domination. In recent years, there has been a positive evolution towards more independent and autonomous female characters. Accordingly, this article analyses two of Audi’s most recent campaigns from 2016 and 2017 in order to observe how women are represented in car ads according to three fundamental aspects: visual semiotics (Arnheim’s Arte y percepción visual. Psicología del ojo creador, 2008; Casetti and Di Chio’s Cómo analizar un film, 1994; Van Leeuwen’s ‘Semiotics and iconography’, 2001), iconography (Cassirer’s Filosofía de las formas simbólicas, 1998); Panofsky’s ‘Iconografía e iconología: introducción al estudio del arte del Renacimiento, 1987) and symbolism grounded in a myth analysis of advertising (León’s Mitoanálisis de la publicidad, 2001)

Advertising · Aesthetics · Archetype · Art · Art history · Epistemology · Humanities · Iconography · Literature · Mythology · Political science · Psychoanalysis · Representation (politics · Semiotics · Sociology · The Imaginary · Historical and Literary Studies · Law · Literary Analysis and Cultural Studies · Philosophy · Psychology · Visual Culture and Art Theory

  • Iconography and Iconology as a Visual Method and Approach

    Marion G Müller, Marion Müller•The SAGE Handbook of Visual…•2011

  • The Discourse of Advertising

    Guy Cook, Tony Cook•Discourse of Advertising•2001

  • The Handbook of Visual Analysis

    T Van Leeuwen, Carey Jewitt•The Handbook of Visual Analysis•2004

Highly citedNo

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