The Poetry of Garcilaso
Bucolic Tradition and the Invention of a Visual Signature
Bibliographic Data
| ID | 12718737 |
|---|---|
| Authors | Roland Béhar (0000-0002-7829-4462, École normale supérieure, Paris, corresponding author) |
| Year | 2016 |
| Volume | 93 |
| Issue | 10 |
| Pages | 51-63 |
| Publication date | 2016-11-25 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Bulletin of Spanish Studies (JOURNAL) |
| Journal identifiers | ISSN: 1475-3820 • E-ISSN: 1478-3428 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/14753820.2017.1298320 |
| OpenAlex | W2605584399 |
| Language | EN |
| Citations received | 1 |
This paper analyses how it is possible to use the concept of ‘visual signature’ for the reading of Garcilaso de la Vega's poetical works. The pun on the name of the poet, disseminated throughout his eclogues, becomes a kind of sphragis, in a way that can be derived from Ferdinand de Saussure's interpretation of anagrams and, more precisely, in the way Joachim Du Bellay theorized the praxis of the onomastic allusio
Anagrams · Art · Interpretation (philosophy · Linguistics · Literature · Poetry · Reading (process · Signature (topology · Early Modern Spanish Literature · Historical and Literary Analyses · Mathematics · Philosophy · Renaissance Literature and Culture
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |