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Black and White on the Silver Screen

Views of Interracial Romance in French Films and Reviews since the 1980s

Bibliographic Data

ID12773545
AuthorsJon Cowans (corresponding author)
Year2010
Volume28
Issue3
Publication date2010-01-01
Open AccessNo
TypeARTICLE
VenueFrench Politics Culture & Society (JOURNAL)
Journal identifiersISSN: 1537-6370 • E-ISSN: 1558-5271
PublisherBerghahn Books (PUBLISHER • GB)
DOI10.3167/fpcs.2010.280303
OpenAlexW2334752372
LanguageEN

This article explores French attitudes about race during and after the years of the National Front's breakthrough by looking at French films and film reviews on the topic of interracial couples. In a country in which antiracists have been reluctant to legitimize the concept of race by talking about it, but in which the far Right has made gains by proclaiming its own views on race, French film-makers in the 1980s and after broached the topic in numerous films, but they often did so in ways that avoided controversy or serious reflection on current French racism. French critics of both French and American films featuring interracial couples also sidestepped the most explosive issues, revealing a disinclination to discuss a troubling and divisive concept, but also a persistent belief that racism remained an American problem and obsession

Art · Front (military · Literature · Media studies · Race (biology · Racism · Romance · Sociology · White (mutation · Communism, Protests, Social Movements · Engineering · French Historical and Cultural Studies · Gender Studies · History · North African History and Literature

Highly citedNo

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