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It’s about time”

Twitter responses to gender change with Doctor Who ’s 13th Doctor

Bibliographic Data

ID12780372
AuthorsRebekah Grome (0000-0002-8287-5550, West Texas A&M University), Kristina Drumheller (0000-0002-7944-6288, West Texas A&M University, corresponding author), Emily S Kinsky (0000-0002-2361-676X, West Texas A&M University)
Year2022
Volume21
Issue1
Pages29-42
Publication date2022-08-04
Open AccessNo
TypeARTICLE
VenuePopular Communication (JOURNAL)
Journal identifiersISSN: 1540-5702 • E-ISSN: 1540-5710
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/15405702.2022.2109030
OpenAlexW4289841300
LanguageEN
References cited17

Quantitative content analysis was used to examine social media responses to the BBC’s announcement of the first female Doctor in the science-fiction show Doctor Who. Tweets reacting to the BBC’s framing of the decision (N = 2,971) were coded for mentions of representation, impact on the character, political correctness, feminism, impact on ratings, and impact on younger generations. Results indicated that audience responses did not reflect the BBC’s framing but were generally supportive of the casting choice. Explanations for the lack of correspondence between the BBC and responses are explored

Correctness · Framing (construction · Media studies · Political correctness · Political science · Politics · Social media · Sociology · Computer Science · Gender, Feminism, and Media · History · Law · Media Influence and Health · Media Studies and Communication · Psychology · Social Psychology

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  • Fifty Years of Science Fiction Television

    Vickie Edwards, Vickie L Edwards•Administrative Theory & Praxis•2014

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    Horace Newcomb, Horace M Newcomb et al.•Quarterly Review of Film Studies•1983

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    Open Access•Robert M Entman•Journal of Communication•1993

  • Inside the Tardis

    Chris Chan•Historical Journal Of Film Radio…•2014

  • The Girls Who Waited? Female Companions and Gender in Doctor Who

    Open Access•Lorna Jowett•Critical Studies in Television…•2014

  • Fifty Years in the Tardis

    Open Access•James Chapman•Critical Studies in Television…•2014

Highly citedNo

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