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Seventeenth-Century Pronk Poppenhuisen

Domestic Space and the Ritual Function of Dutch Dollhouses for Women

Bibliographic Data

ID12877677
AuthorsMichelle Moseley-Christian (0000-0002-1231-3595, Virginia Tech, corresponding author)
Year2010
Volume7
Issue3
Pages341-363
Publication date2010-10-12
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHome Cultures (JOURNAL)
Journal identifiersISSN: 1740-6315 • E-ISSN: 1751-7427
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.2752/175174210x12785760502298
OpenAlexW2039447051
LanguageEN
Citations received2
References cited7

A number of pronk poppenhuisen, or “dollhouses for show” were commissioned in the seventeenth- and eighteenth-century Netherlands for adult women. The large wooden cabinets with multiple partitioned spaces construct a fully furnished Dutch home in miniature, complete with dolls representing family, servants, and pets. The dollhouses have been primarily regarded as sophisticated collections enjoyed by elite female connoisseurs. This study will investigate the surviving dollhouses of Petronella de la Court, Petronella Dunois, and Petronella Oortman as complex didactic objects that prescribed an ideal domestic identity for Dutch mothers and wives in the early modern Netherlands, in part through a three-dimensional structure that encouraged a tactile, physically interactive relationship with the viewer. Manipulation of the dolls within selective, gendered architectural spaces allowed the dollhouse owners to visualize the ideal Dutch home and “perform” their appropriate role within it as productive, disciplined, and orderly wives, mothers, and domestic managers

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Unique citing works2
Citations per year0,29
Citation span2019 - 2020 (2)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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