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An Entrance for the Eyes

Space and Meaning in Seventeenth-Century Dutch Art

Bibliographic Data

ID16617987
AuthorsSuzanne Jablonski (corresponding author)
Year2003
Volume34
Issue2
Pages585-586
Publication date2003-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSixteenth Century Journal (JOURNAL)
Journal identifiersISSN: 0361-0160 • E-ISSN: 2326-0726
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/20061498
OpenAlexW590424992
LanguageEN
Citations received6

Illustrations Acknowledgments Introduction I. Karel van Mander: The Language of Space Entrance for the Eyes Images in Conversation Into the Seventeenth Century Ideas of Order II. Gerard Dou: The Reconfigured Emblem Foreground and Background An Art of Surfaces Drape and Curtain The Space of Emblems Uses of the Background Scene Pictures within Pictures An Empty Room III. Nicolaes Maes: Space as Domestic Territory The Eavesdroppers Pictorial Space at Mid-Century Re-creating the Dutch Interior Mistresses and Maids Diligence and Desire IV. Pieter De Hooch: Indoors and Out Figures in a Courtyard Home and Cityscape Masculine and Feminine Spaces Privacy and Community Exchanges at the Doorway Public Interiors Notes Bibliography Index

Aesthetics · Art · Art history · Epistemology · Linguistics · Meaning (existential · Visual arts · Financial Crisis of the 21st Century · Philosophy

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Unique citing works6
Citations per year0,33
Citation span2008 - 2023 (16)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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