Translating the Ragionamento
Reframing Pietro Aretino as the Castigator of Courtesans
Bibliographic Data
| ID | 12879893 |
|---|---|
| Authors | Kate De Rycker (0000-0002-2961-1185, Universidade do Porto, corresponding author) |
| Year | 2015 |
| Volume | 12 |
| Issue | 6 |
| Pages | 299-309 |
| Publication date | 2015-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Literature Compass (JOURNAL) |
| Journal identifiers | ISSN: 1741-4113 • E-ISSN: 1741-4113 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/lic3.12233 |
| OpenAlex | W1509772099 |
| Language | EN |
| References cited | 10 |
Pietro Aretino (1492–1556) was one of the first Italian writers to make a living from the printing press and had built his fame during his lifetime to such an extent that he had become notorious across Europe as the ‘scourge of princes’. In the century after his death, however, Aretino's reputation as a controversial figure changed until, like Machiavelli, his name had became synonymous with Italian vice in the minds of foreign readers. This article will trace a network of translations which were made of one of Aretino's most popular texts: the Sei Giornate , which was reduced to only one third of its original size, and which focused on the lives of whores. I argue that the accumulation of these translations, which all reframed the text as a warning to young men against the dangers of prostitutes, also helped to transform and domesticate the author Aretino from an observer of courtesans into their castigator, through a process of cultural translation
Art · Cognitive reframing · Linguistics · Literature · Observer (physics · Reputation · Social science · Sociology · History · History, Culture, and Diplomacy · Philosophy · Psychology · Renaissance and Early Modern Studies · Social Psychology · Translation Studies and Practices
| Highly cited | No |
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