Machinamentum X
Marvell and Technology
Bibliographic Data
| ID | 12880529 |
|---|---|
| Authors | Julianne Werlin (University of Southern California, corresponding author) |
| Year | 2014 |
| Volume | 11 |
| Issue | 9 |
| Pages | 593-601 |
| Publication date | 2014-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Literature Compass (JOURNAL) |
| Journal identifiers | ISSN: 1741-4113 • E-ISSN: 1741-4113 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/lic3.12172 |
| OpenAlex | W1483472598 |
| Language | EN |
| References cited | 21 |
Recent scholarship in the history of technology has provided new insights into the early modern investigation of nature, troubling fixed boundaries between invention and discovery, and more broadly, between art and knowledge. Drawing on such research, as well as literary scholars' discussions of parallels between Renaissance poetics and technics, I suggest that further inquiries into the role of technology in Andrew Marvell's poetry may yield new insights into his depiction of nature, his politics, and the relation of the two. I conclude with a reading of ‘Music's Empire’, a poem that reveals how deeply Marvell considered the role of technology in culture
Art · Art history · Depiction · Linguistics · Literature · Parallels · Poetics · Poetry · Reading (process · Relation (database · Scholarship · The Renaissance · Computer Science · Historical and Literary Studies · Historical Philosophy and Science · Philosophy · Scientific Innovation and Industrial Efficiency
Faithful Labourers: A Reception History of Paradise Lost, 1667-1970
The New Organon
Biographies of scientific objects
Andrew Marvell
Reassembling the Social
Has the Philosophy of Technology Arrived? A State-of-the-Art Review
The New Philosophy and Universal Languages in Seventeenth-Century England
Poetry and Allegiance in the English Civil Wars
The Politics of Marvell's Horatian Ode
We Have Never Been Modern
| Citation velocity | historical |
|---|---|
| Highly cited | No |