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The Politics of Marvell's Horatian Ode

Bibliographic Data

ID8957324
AuthorsBlair Worden (corresponding author)
Year1984
Volume27
Issue3
Pages525-547
Publication date1984-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Historical Journal (JOURNAL)
Journal identifiersISSN: 0018-246X • E-ISSN: 1469-5103
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0018246x00017969
OpenAlexW2026287751
LanguageEN
Citations received5
References cited8

Andrew Marvell's ‘An Horatian ode upon Cromwel's return from Ireland ’ is the most private of political poems. It may be a solitary meditation; it may be written, after Horace, for a forward youth now unknown to us; but it scarcely seems addressed to the public audience of Marvell's tribute to Cromwell in ‘The first anniversary’. We enter an imaginative landscape beyond politics, outside the movement of history, where the figures of the ode – restless Cromwell, the royal actor, the clapping soldiers, the frighted architects, the tamed Irish, the luring falconer, the hunted Pict – appear stilled as upon some ancient vase. Yet the poem's transcendence of events need not be taken for detachment from them, nor its privacy for retreat. I want to suggest that the celebrated poise and urbanity of the ode have been created from energy and urgency of feeling. Marvell has given timelessness to a desperate and portentous moment in his country's history, the arrival of Cromwell in England in the summer of 1650. Language has been immortalized too: the language of ephemeral tracts and newspapers, which is close enough to the surface of the poem to suggest a younger Marvell as politically engaged as the restoration M.P. and whig pamphleteer

Art · Art history · Feeling · Irish · Literature · Ode · Poetry · Political science · Politics · Theology · Transcendence (philosophy · Tribute · Urbanity · Engineering · Historical Studies of British Isles · History · Law · Philosophy · Scottish History and National Identity

  • Commonwealth Principles

    Jonathan Scott•Commonwealth Principles•2009

  • Beyond Politics? Marvell and the Fortunes of Context

    Open Access•Matthew C Augustine•Literature Compass•2014

  • Machinamentum X

    Open Access•Julianne Werlin•Literature Compass•2014

  • Neptune to the Common-wealth of England” (1652)

    Willy Maley•The Seventeenth Century•2018

  • The religious geography of Marvell’s “An Horatian Ode”

    Stewart Mottram•The Seventeenth Century•2018

  • The Political Works of James Harrington

    Open Access•Judith N Shklar•Political Theory•1978

  • "Cromwell as Machiavellian Prince in Marvell's "An Horatian Ode

    Joseph Anthony Mazzeo•Journal of the History of Ideas•1960

  • The Political Works of James Harrington

    William B Gwyn, J G A Pocock•The William and Mary Quarterly•1978

Unique citing works5
Citations per year0,29
Citation span2009 - 2018 (10)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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