European Union and online platforms in global audiovisual politics and economy
Once Upon a Time in America
Bibliographic Data
| ID | 12898643 |
|---|---|
| Authors | Antonios Vlassis (0000-0003-3787-4425, University of Liège, corresponding author) |
| Year | 2020 |
| Volume | 83 |
| Issue | 6 |
| Pages | 593-615 |
| Publication date | 2020-04-28 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Communication Gazette (JOURNAL) |
| Journal identifiers | ISSN: 1748-0485 • E-ISSN: 1748-0493 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/1748048520918496 |
| OpenAlex | W3021399519 |
| Language | EN |
| Citations received | 16 |
| References cited | 32 |
The purpose of this article is twofold: to consider whether and how the European Union has a strong influence in global audiovisual politics and economy and to analyse whether the United States keeps playing a key role in global audiovisual flows or its domination is challenged by the European Union or other countries. These two purposes are analysed in the light of the rise of global online platforms, seen as the new dominant development in the audiovisual industry. In order to understand the European Union role and influence, the article highlights three interlinked factors: European/internal audiovisual policies, market profile and foreign audiovisual diplomacy. In the end, the article examines the competition that European Union faces in the global film economy, focusing notably on the US/Hollywood, China, India and global online platforms
China · Competition (biology · Diplomacy · Economics · Economy · European union · Hollywood · International trade · Order (exchange · Political economy · Political science · Politics · Cinema and Media Studies · Cultural Industries and Urban Development · European Union Policy and Governance · Law
Digital Transformation and Cultural Policies in Europe
Winning Hearts and Minds
Updating the European Union’s Strategy for International Cultural Relations in a time of geopolitical turmoil
Promoting the European film industry in South Korea
The European audiovisual sector at the intersection of the Council of Europe and the European Union
Netflix's presence
Research trends of digital platforms
From the Washington Consensus to “America First”
The show must go on
Le gouvernement de l’Union européenne revisité
The end of an era? The decrease of the EU influence in Ibero-American digital media policy discourses
From copycat to copyright
From social distancing to digital un-distancing
Platform governance and the politics of media regulation
Audiovisual policy transfer between Mercosur and the European Union has gone offtrack
Global online platforms, Covid-19, and culture
Comparative Media Policy, Regulation and Governance in Europe
Platform Power and Policy in Transforming Television Markets
The Economics of Cultural Policy
Leading by Example? European Union Implementation of Cultural Diversity in Internal and External Audiovisual Policies
The review of the Audiovisual Media Services Directive
China's Encounter with Global Hollywood
Global Media and Communication Policy
The European Union and Culture
Cultural Policy
The platformization of cultural production
Cultural globalization and the dominance of the American film industry
Cultural diplomacy
Soft power, global governance of cultural industries and rising powers
The trade and culture debate
European Commission, trade agreements and diversity of cultural expressions
Priorities in global media policy transfer
Cultural industries policy in regional trade agreements
National, transnational or supranational cinema? Rethinking European film studies
The Politics of Chinese Media
Global Hollywood 2
Brief History of Neoliberalism
| Unique citing works | 16 |
|---|---|
| Citations per year | 3,2 |
| Citation span | 2021 - 2026 (6) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 16 |