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Belt and Road Initiative-supported co-production films

Film policy and disoriented remembrance of the Silk Road past

Bibliographic Data

ID12898703
AuthorsPengnan Hu (University of Amsterdam, corresponding author)
Year2023
Volume85
Issue1
Pages48-62
Publication date2023-01-27
Open AccessYes
TypeARTICLE
VenueInternational Communication Gazette (JOURNAL)
Journal identifiersISSN: 1748-0485 • E-ISSN: 1748-0493
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/17480485221139464
OpenAlexW4319790456
LanguageEN
Citations received6
References cited26

Through policy analysis and close reading of two films, this article reveals films’ increasing role in China's geopolitical plan, the Belt and Road Initiative (BRI). The co-production film Xuanzang shows that the Silk Road past is used to illustrate BRI's pledge for a beneficial future. Even though Xuanzang's story alludes to history, it was selected for its significance in popular culture, thereby reflecting ‘hyperreality’. In any event, the Silk Road is insufficient for connecting a region characterized by complex histories and societies. As shown in The Composer, the Silk Road is a convenient metaphor used to portray any friendly history

Advertising · Aesthetics · Art · Business · China · Economics · Economy · Geopolitics · Metaphor · Pledge · Political science · Politics · Production (economics · SILK · China's Global Influence and Migration · Chinese history and philosophy · Engineering · International Relations and Foreign Policy · Law · Philosophy

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Citation span2025 - 2026 (2)
Highly citedNo

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