Picturing a journey of protest or a journey of harmony? Comparing the visual framing of the 2008 Olympic torch relay in the US versus the Chinese press

Bibliographic Data

ID12904657
AuthorsYing Huang (0000-0003-3569-7576, University of West Florida, corresponding author), Shahira S Fahmy (0000-0002-7720-9318, University of Arizona)
Year2013
Volume6
Issue3
Pages191-206
Publication date2013-11-28
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMedia War & Conflict (JOURNAL)
Journal identifiersISSN: 1750-6352 • E-ISSN: 1750-6360
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/1750635213495601
OpenAlexW2328994478
LanguageEN
Citations received21
References cited35

In examining details of the international journey of the 2008 Olympic torch relay in the US and Chinese press, results revealed that US photos emphasized the protest frame by showing unsupported visuals of the torch relay and focusing on human rights/Tibetan independence. The Chinese dailies, on the other hand, emphasized the success of the torch relay while focusing on the harmony frame. These frames reflected each country’s news and societal values regarding the conflict under study, its policy towards Tibet, and its level of support for the Olympics in Beijing. In addition to these findings, the authors propose a framework of visual–textual consistency to access the relationship between visual and textual information. Therefore, this study not only adds to the body of work in visual communication by exploring the visual coverage of a controversial Olympic event in a cross-cultural context, offering a broader understanding of the intertwined relationship between media, conflict, and sports, but also contributes to framing theory by examining captions that build contrasting visual frames within a conflict setting

Art · Beijing · China · Framing (construction · Harmony (color · Media studies · Political science · Sociology · Visual arts · History · Law · Subtitles and Audiovisual Media

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