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Ringing stones in Sweden in the past and present

Some reflections

Bibliographic Data

ID12911368
AuthorsCajsa S Lund (corresponding author)
Year2019
Volume12
Issue1
Pages33-44
Publication date2019-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTime and Mind (JOURNAL)
Journal identifiersISSN: 1751-696X • E-ISSN: 1751-6978
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/1751696x.2019.1573496
OpenAlexW2936968410
LanguageEN
References cited6

This paper addresses the archaeoacoustic subject of ringing rocks, chiefly from a Swedish perspective. Comprehensive and methodological studies on ringing stones in Sweden were not begun until the early 2000s, in the first instance by researchers at Uppsala University. An ongoing survey of ringing stones in Sweden carried out by the present author has thus far resulted in 41 such, indeed, timeless percussion instruments, as we might refer to them. This paper also discusses the use and function of ringing stones in both music-archaeological and ethno-musicological perspectives

Art · Library science · Perspective (graphical · Ringing · Subject (documents · Telecommunications · Visual arts · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · Computer Science · Engineering · Historical and Archaeological Studies · History

  • Soundscape Archaeology

    Maja Hultman•Time and Mind•2013

  • Studia instrumentorum musicae popularis I

    Wolfgang Suppan, Erich Stockmann•Jahrbuch für Volksliedforschung•1970

  • Casja Lund

    Open Access•J M Coles•Antiquity•1985

  • By the hunter, for the gatherer

    D S Whitley•World Archaeology•1994

  • Origine des Instruments de Musique

    A Gastoue, Andre Schaeffner•Revue de musicologie•1939

Citation velocityhistorical
Highly citedNo

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