A Shoppable Life
Performance, Selfhood, and Influence in the Social Media Storefront
Bibliographic Data
| ID | 12918503 |
|---|---|
| Authors | Emily Hund (University of Pennsylvania, corresponding author), Lee Mcguigan (0000-0003-3157-2944, University of Pennsylvania) |
| Year | 2019 |
| Volume | 12 |
| Issue | 1 |
| Pages | 18-35 |
| Publication date | 2019-02-08 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Communication Culture and Critique (JOURNAL) |
| Journal identifiers | ISSN: 1753-9137 • E-ISSN: 1753-9129 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/ccc/tcz004 |
| OpenAlex | W2918071506 |
| Language | EN |
| Citations received | 42 |
| References cited | 17 |
This article develops a critical analysis of Instagram’s influencer economy by introducing and unpacking a phenomenon we call shoppable life. The term shoppable life is intended to capture the ideas that: (a) social media users perform lifestyles whose constituent elements can be bought; and (b) sociality increasingly unfolds within platforms that encode marketplace logics and capacities into their designs. Drawing on literatures about consumer culture, celebrity, and digital labor; interviews with 25 participants in Instagram’s influencer economy; and industry texts, we elucidate the power dynamics and contradictions manifested in constructing a shoppable life. We emphasize how social media users navigate the imperative to produce an “authentic” but branded and monetizable self, the personal risk they bear in doing so, and the stakeholders who mediate and profit from these productions. We also highlight conceptual points of entry for critical attention to the logic of shoppability, which increasingly pervades spaces and cultures
Aesthetics · Art · Clothing · Digital media · Epistemology · Fashion industry · Media studies · Netnography · Phenomenon · Political science · Power (physics · Social life · Social media · Social science · Sociality · Sociology · Unpacking · Consumer Behavior in Brand Consumption and Identification · Digital Marketing and Social Media · Gender, Feminism, and Media · Law
What Does #Freedom Look Like? Instagram and the Visual Imagination of Values
Between Commerciality and Authenticity
Instagramming Diasporic Mobilities
To Affinity and Beyond
Beyond “Commercial Realism”
Observing “tuned” advertising on digital platforms
From User Generated Content to a User Generated Aesthetic
“Do Your Research”
The Pope’s New Clothes
Technology and moral change
‘Traffic rewards’, ‘algorithmic visibility’, and ‘advertiser satisfaction’
The mutual configuration of affordances and technological frames
Livestreaming commerce for luxury brands
Acting real
Vlog my life
Pup-ularity contest
What “Real” Women Want
‘We belong to something beautiful’
The CEO myth on social media
Platform super user
Controversies Over Journalistic Social Media Influencers
Deinfluencing TikTok During the Cost-of-Living Crisis
Grotesque Prosperity
Optimizing Looking and Buying on Instagram
Platformed cultural production and calibration in the Covid-19 pandemic
Queer and trans influential peers
Values for money? The neoliberal construction of “values” across Instagram language communities
Global influencers’ content creation strategies
The spatiality of performative authenticity on social media
Microcelebrities’ identity construction on social media
The Ghibli ‘aesthetic’
Where neoliberalism shapes Confucian notions of child rearing
You Are Not Fat”
From user-generated content to a user-generated aesthetic
(Re)Inventing influence
You Need At Least One Picture Daily, if Not, You're Dead
No Targets, Just Vibes
Branded Dreams, Boss Babes
A Post-Work Approach to Influencer Labor
Influencer Management Tools
The Shade of It All
Mom celebrities of Instagram
The Culture of Connectivity
Retail Nation
(Not) Getting Paid to Do What You Love
Ordinary People and the Media
All the world’s a shopping cart”
Encoding and decoding affordances
Reality TV the work of being watched
To See and Be Seen
Meat, Mask, Burden`
Who is the Celebrity Endorser? Cultural Foundations of the Endorsement Process
Instafame
Aren't These Just Young, Rich Women Doing Vain Things Online
Having it All' on Social Media
| Unique citing works | 42 |
|---|---|
| Citations per year | 7 |
| Citation span | 2020 - 2026 (7) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 42 |