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Ordinary Affects and Spectrality in Three Works

Carole Giangrande’s Midsummer , Brenda Missen’s Tell Anna She’s Safe , and Andrea Thompson’s Over Our Heads

Bibliographic Data

ID12920199
AuthorsSilvia Caporale Bizzini (0000-0003-4127-959X, University of Alicante, corresponding author), Silvia Caporale-Bizzini (Universitat d’Alacant, Alicante, Spain)
Year2020
Volume14
Issue1
Pages51-65
Publication date2020-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueContemporary Women s Writing (JOURNAL)
Journal identifiersISSN: 1754-1476 • E-ISSN: 1754-1484
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1093/cww/vpaa016
OpenAlexW3082634752
LanguageEN
References cited13

Scholars such as Kathleen Stewart and Lauren Berlant have pointed out that neoliberalism stresses the social benefits of individual precariousness for the sake of profit and fosters a sense of personal crisis. In the three contemporary novels I examine, such feelings of crisis permeate the characters’ lives. I build on the concepts of the unexpected and spectrality to analyze Carole Giangrande’s Midsummer (2014), Brenda Missen’s Tell Anna She’s Safe (2011), and Andrea Thompson’s Over Our Heads (2014). These three novels share similar themes: in each, as the result of an unexpected event, specters from the past interact with the present – thereby forcing the central characters to question their beliefs, rethink their ideas about what constitutes a good life, and start a journey of personal discovery

Art history · Epistemology · Event (particle physics · Feeling · Psychoanalysis · Sociology · Contemporary Literature and Criticism · Housing, Finance, and Neoliberalism · Political and Economic history of UK and US · Psychology · History · Philosophy

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