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Beauty between Repression and Coercion

A Few Thoughts on Richard Shusterman’s Ars Erotica: Sex and Somaesthetics in the Classical Arts of Love

Bibliographic Data

ID12947362
AuthorsLeszek Koczanowicz (0000-0002-4204-1674, Uniwersytet SWPS, corresponding author)
Year2021
Volume31
Issue1
Pages37-44
Publication date2021-12-12
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueFoucault Studies (JOURNAL)
Journal identifiersISSN: 1832-5203 • E-ISSN: 1832-5203
PublisherProject MUSE (PUBLISHER • US)
DOI10.22439/fs.vi31.6455
OpenAlexW4200251939
LanguageEN
References cited5

Love and sex are central notions in all reflection on humanity. And for obvious reasons, too. These notions defy any simple definition because they connote and reference an almost innumerable multitude of things. Moreover, these notions are highly amenable to social factors and have always been enmeshed in plentiful limitations, prohibitions, and precepts. Consequently, when pondering them, thinkers inevitably find themselves speaking from particular political and cultural discourses and cannot possibly retain a neutral distance to their object of research. Another noteworthy thing is that all considerations of sexual life provoke questions about modernity and postmodernity in this respect. The profound changes that have swept across this sphere of human life over the last 150 years prompt historical -or, to use Michel Foucault's term, genealogical -research aimed at establishing what factors made them possible or, even, what brought them about

Aesthetics · Art · Beauty · Biology · Coercion (linguistics · Linguistics · Psychological repression · Sociology · The arts · Visual arts · Philosophy · Shakespeare, Adaptation, and Literary Criticism

  • Ars Erotica

    Open Access•Andrew Edgar•The British Journal of Aesthetics•2021

  • Toward a democratic Utopia of everydayness

    Leszek Koczanowicz•History of European Ideas•2020

  • Ethics

    Michel Foucault•Ethics•1997

  • Discipline and Punish

    Raffaella D’amico•Telos•1978

  • Michel Foucault

    Open Access•Joel Whitebook•Thesis Eleven•2002

Citation velocityhistorical
Highly citedNo

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