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Siddi Street Theatre and Dance in North Karnataka, South India

Bibliographic Data

ID12955407
AuthorsPashington Obeng (Wellesley College, corresponding author)
Year2011
Volume4
Issue1
Pages1-26
Publication date2011-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAfrican Diaspora (BOOK_SERIES)
Journal identifiersISSN: 1872-5457 • E-ISSN: 1872-5465
PublisherBrill (PUBLISHER • NL)
DOI10.1163/187254611x566080
OpenAlexW2092311289
LanguageEN
Citations received4

The Karnataka African Indians (Siddis, Habshis and Cafrees), drawing on both Indian performing arts and their African heritage, use dance and street theatre for political action, entertainment, social critique and self-expression. This paper focuses on Siddi dance and theatre in Uttara Kannada (North Karnataka), South India. Karnataka Siddis number about twenty thousand (Prasad, 2005). Using dramatic aesthetics, performers portray farming, hunting, child labour, violence against women and domestic work motifs to articulate Siddi grundnorms (foundational norms). I address how some Siddi dances and street theatre parallel and yet may differ from other performing arts in South India. Further, the paper complicates the current discourse on how diasporic African communities use the performing arts. My paper goes beyond the Atlantic Diaspora model. It examines ways in which Siddis of South Asia use their dance and theatre to express multiple domains of cultural art forms alongside the everyday use of such performances including a counter-hegemonic stance

African studies · Art · Dance · Diaspora · Geography · Hegemony · Performing arts · Political science · Politics · Sociology · The arts · Visual arts · Zulu · Diversity and Impact of Dance · Gender Studies · History · Philippine History and Culture · South Asian Cinema and Culture

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Unique citing works4
Citations per year0.31
Citation span2013 - 2020 (8)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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