Live Music, Intercity Competition, and Reputational Rents
Austin, Texas the ‘Live Music Capital of the World’
Bibliographic Data
| ID | 12978960 |
|---|---|
| Authors | Eliot Tretter (University of Calgary, corresponding author) |
| Year | 2015 |
| Volume | 8 |
| Issue | 3 |
| Pages | 49-65 |
| Publication date | 2015-11-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Human Geography (JOURNAL) |
| Journal identifiers | ISSN: 1942-7786 • E-ISSN: 2633-674X |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/194277861500800304 |
| OpenAlex | W2461003242 |
| Language | EN |
| Citations received | 1 |
| References cited | 44 |
In this paper I draw on a body of scholarship that focuses on how a central feature of capitalist urbanization is the willingness of firms to participate in a form of rent-seeking that exploits geographical differences. I then extend this analysis to the cultural economy. I use as my case study Austin, Texas, which since 1991 has branded itself the “Live Music Capital of the World.” The existing literature on Austin's urban entrepreneurial strategy, reflecting the dominant trends in urban and economic geography, focuses on how this branding campaign cultivated and exploited the geographical particularities of the city's cultural infrastructure. However, I contend that the changes brought about within the music industry influenced the success of this effort. In particular, I argue that the effectiveness of this branding effort is related to the changing value of live music within the music industry and especially the elevated position of music promoters (those firms that rely on live music as an essential part of their business). As this paper shows, the value of the city's branding efforts is related to the industrial success of two of the music industry's mid-sized promotional firms, SXSW Inc. and C3 Presents. These two Austin-based firms trade on its live-music brand but also, perhaps unwittingly, receive an extra-economic benefit that amplifies this reputation. In particular, I will focus on how a special music event, SXSW, and a music festival, Austin City Limits, help reinforce the image that has been enhanced by the city's branding efforts
Art · Business · Capital (architecture · Competition (biology · Economic growth · Economic rent · Economics · Market economy · Music education · Music industry · Place Branding · Political science · Popular music · Reputation · Scholarship · Social science · Sociology · Tourism · Urbanization · Value (mathematics · Visual arts · Cultural Industries and Urban Development · Music History and Culture · Sport and Mega-Event Impacts · Marketing
The Urban Experience
Dissonant Identities
Brands and Branding Geographies
The Politics of Urban Cultural Policy
The Creative Capital of Cities
Reformatted
Music Festivals and Regional Development in Australia
The Political Economy of City Branding
From Monopoly to Intellectual Property
How a music scene functioned as a tool for urban redevelopment
Monometapoly or the Economics of the Music Industry
Spaces of Capital
From Managerialism to Entrepreneurialism
From Music Publishing to MP3
Cultural districts and the challenge of authenticity
Urban Redevelopment, Live Music and Public Space
Sonic City
Before and after the Creative City
Progress in Human Geography
Flexibility, post-Fordism and the music industries
On the reproduction of the musical economy after the Internet
The Production of Culture in the Music Industry
The Cultures of Capitalism
Globalisation, Competition and the Politics of Local Economic Development
Best Places
Territorial Organization and the Space/Technology Nexus
Local music policies within a global music industry
Site and Sound
Sound Tracks
Music, Tourism and the Transformation of Memphis
The economy of live music in the digital age
The US Recorded Music Industry
The Software Slump
Place in product
Local differences? popular music and the local state
Time-Space (and Digital) Compression
The Distinctive City
Music Scenes to Music Clusters
The Global Music Business as an Information Industry
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,13 |
| Citation span | 2018 - 2018 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |