Local music policies within a global music industry
Cultural quarters in Manchester and Sheffield
Bibliographic Data
| ID | 8943555 |
|---|---|
| Authors | Adam Brown (0000-0003-4669-1372, Manchester Metropolitan University, corresponding author), Justin O’connor (0000-0002-8224-621X, Manchester Metropolitan University), Justin O'Connor, Sara Cohen (0000-0001-5841-0721) |
| Year | 2000 |
| Volume | 31 |
| Issue | 4 |
| Pages | 437-451 |
| Publication date | 2000-11-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Geoforum (JOURNAL) |
| Journal identifiers | ISSN: 0016-7185 • E-ISSN: 1872-9398 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/s0016-7185(00)00007-5 |
| OpenAlex | W2096498199 |
| Language | EN |
| Citations received | 113 |
| References cited | 12 |
Art · Consumption (sociology · Cultural industry · Cultural policy · Dichotomy · Economics · Economy · Face (sociological concept · Globalization · Intervention (counseling · Music education · Music industry · Musical · Political science · Popular music · Quarter (Canadian coin · Social science · Sociology · Visual arts · Cultural Industries and Urban Development · History · Law · Music History and Culture · Psychology · Sport and Mega-Event Impacts
Scenes, Memory and the Spaces of Music Consumption
Planning for Shrinkage
A property-led approach to cluster development
Migration, Music and Social Relations on the NSW Far North Coast
City centre masterplanning and cultural spaces
Creative Cities in England
Developing Leisure and Cultural Attractions in the Regional City Centre
Les territoires créatifs
Residents’ Perception of a Collaborative Approach with Artists in Culture-Led Urban Regeneration
Creative planning in Ireland
Brand-building: the creative city
Higher Education and the Creative Economy
The Role of Universities in the Regional Creative Economies of the UK
The Rise of the Creative City
Planning the Cultural Quarter in Birmingham's Eastside
A Creative Industry in Transition
Hung, Drawn and Cultural Quartered
Exploring the Role of Networks in the Creative Economy of North East England
Alternative Initiatives, Cultural Intermediaries and Urban Regeneration
The Influence of District Visual Quality on Location Decisions of Creative Entrepreneurs
Country at the Heart of the City
How Culture and Economy Meet inSouthKorea
"Rock Landmark at Risk"
Is the Political Troubadour Dead? Markets Versus Politics in Local Music
Music, Emotion and Authenticity
Planning arrangement of medley regional songs on choir for the preservation of local culture
Replanning the central area of Wakefield, West Yorkshire
Shenzhen’s OCT-Loft
How a music scene functioned as a tool for urban redevelopment
Liveability and creativity
Towards an ideal typical live music city
The impact of ‘creative industry clusters’ on cultural and creative industry development in Shanghai
The justification of a music city
Creative improvement, cultural infrastructure and urban zones
Cultural Sustainability in the Historic Environment
Exploring Urban Creativity
Cultural and creative clusters – a systematic literature review and a renewed research agenda
How underground culture is changing Paris
The local governance of culture-led regeneration projects
Spaces of Mega Sporting Events versus Public Spaces. Qatar 2022 World Cup and the City of Doha
Distritos creativos en la Ciudad de México en la segunda década del siglo xxi
A portrait of the politician as a young pub rocker
Mapping the underground
Entrepreneurship, Innovation and Industrial Development
Cultural economy
Live Music, Intercity Competition, and Reputational Rents
Exploring attitudes to edgy urban destinations
Music, Emotion and Authenticity
Popular music, psychogeography, place identity and tourism
Cultural districts and the challenge of authenticity
The city that was creative and did not know
Musical work in a university town
The meaning of place and state‐led gentrification in Birmingham’s Eastside
Different but the same
In the Scattered Fields of Memory
Street music, technology and the urban soundscape
Resilient creative economies? Creative industries on the urban fringe
The sociality of cultural industries
Supporting regional music production clusters in the post-pandemic era
Denmark’s Creative Potential
Original live music venues in hyper-commercialised nightlife precincts
The power of local networking
Transnational collaborations, local competitiveness
Regions and place
Urban cultural policy and creative city making
Negotiating risk in property-based arts economic development
Can we implant an artist community? A reflection on government-led cultural districts in Korea
Culture and creativity
Developing a Creative Cluster in a Postindustrial City
Prosuming creative urban areas. Evidence from East London
Collaborative Local Cultural Governance
Geographies of Displacement in the Creative City
Creative Industry Clusters’ and the ‘Entrepreneurial City’ of Shanghai
Manchester’s Film and Television Industry
Cultural Intermediaries in the Digital Age
Growing Design? Challenges and Constraints Facing Design Consultancies in Three English City-Regions
Enabling and Inhibiting the Creative Economy
Crafting the Region
Beyond the Creative City
Between Culture, Policy and Industry
The spatial value of live music
Automating the black art
Thinking creative clusters beyond the city
Creative industries, creative class and competitiveness
Exploring music geography beyond the West
Place-making in publishing
Networks and place in Montreal's independent music industry
The social dynamics of attracting talent in Halifax
A tale of two scenes
Rural Tourism
Community and Nostalgia in Urban Revitalisation
Global music city
Northern comfort
Subsidizing ‘musiques actuelles’ in French-speaking Switzerland
Cultural-Products Industries and Urban Economic Development
The North Laine
The Art of Re-Industrialisation in Shanghai
Music Festivals
Cultural Policy as Regeneration Approach in Western Cities
The Spaces, Politics, and Cultural Economies of Electronic Dance Music
| Unique citing works | 113 |
|---|---|
| Citations per year | 4,71 |
| Citation span | 2002 - 2026 (25) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 113 |