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On the Altars of Sacrifice in Israeli Cinema

Bibliographic Data

ID13036801
AuthorsShmuel Shepkaru (University of Oklahoma, corresponding author)
Year2026
Volume17
Issue1
Pages57-75
Publication date2026-01-02
Open AccessNo
TypeARTICLE
VenueThe Journal of the Middle East and Africa (JOURNAL)
Journal identifiersISSN: 2152-0844 • E-ISSN: 2152-0852
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/21520844.2025.2600757
OpenAlexW7127158075
LanguageEN

This essay examines the development of a recurring topos in Israeli cinema that embodies a central cultural myth and its transformations over time. Although this myth does not originate within Israeli culture, it interacts dynamically with national and patriotic mythologies prevalent in Western national cultures, as well as with specific Middle Eastern societies that demand altruistic sacrifice for religion and nationality. In a Middle Eastern context marked by ongoing national and religious conflicts – where the call for self-sacrifice persists alongside unrelenting threats to peace, stability, and life – the evolution and transformation of the myth of individual altruistic sacrifice for the nation’s revival and survival takes on particular significance. The essay sheds light on the processes that inspire individuals to mobilize for war, as well as the growing inclination to refuse sacrifice in favor of peace. By tracing this distinct Israeli myth and ethos as depicted in Israeli cinema, and by exploring its historical and contextual evolution, this essay offers critical reflections in the wake of the October 7, 2023, massacres, confronting both the renewed challenges to peaceful coexistence and the existential threats facing individuals and communities.

Context (archaeology) · Ethos · Existentialism · Middle East · Movie theater · Mythology · Sacrifice · American Jewish Fiction Analysis · Jewish and Middle Eastern Studies · Middle East Politics and Society

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