Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Complex Relationships

A Materials Study of Édouard Vuillard’s Interior, Mother and Sister of the Artist

Bibliographic Data

ID13124652
AuthorsAbed Haddad (0000-0001-8710-0394, Museum of Modern Art, corresponding author), Diana P Hartman (Museum of Modern Art), Ana Martins (0000-0002-9271-2114, Museum of Modern Art)
Year2021
Volume4
Issue4
Pages2903-2917
Publication date2021-09-30
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueHeritage (JOURNAL)
Journal identifiersISSN: 2571-9408 • E-ISSN: 2571-9408
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/heritage4040162
OpenAlexW3202534435
LanguageEN
Citations received2
References cited27

Édouard Vuillard (1868–1949) is well known for his small atmospheric paintings, often portraying his own home and family as the subject matter. Interior, Mother and Sister of the Artist (1893) underwent at least one restoration treatment before being acquired by the Museum of Modern Art (MoMA) in 1934. The painting was treated again in 1954, but no analysis was carried out to understand the artist’s methods and materials at that time. To better understand the choices of Vuillard in Interior, Mother and Sister of the Artist, a comprehensive suite of imaging and spectroscopic analyses was undertaken, including: XRR, UVF and IRR Photography, XRF, Raman spectroscopy and SERS, and μ-FTIR. Statistical analysis on the XRF data using MCR-ALS further revealed some of the intricacies of Vuillard’s technique and color choices, where a large number of pigments were used in designing this intimate composition, including lead white, zinc white, bone black, ochre, umber, vermilion, Geranium lake, red lead, ultramarine, Prussian blue, chrome yellow, chrome orange, zinc yellow, strontium yellow, cadmium yellow, and a chromium oxide green

Art · Art history · Cyan · Painting · Sister · Sociology · Vermilion · Visual arts · Building materials and conservation · Conservation Techniques and Studies · Cultural Heritage Materials Analysis

  • In Situ Study of the Painting “Hiroshima I” (1958) by Werner Tübke (1929–2004)

    Open Access•Aleksandra A Smolianskaia, Ivan I Andreev et al.•Heritage•2023

  • Necessity and Use of a Multilayer Test Object Based on an Anonymous 19th Century Copy of a Painting by Ivan Konstantinovich Aivazovsky (1817–1900)

    Open Access•Ivan I Andreev, Sergey V Sirro et al.•Heritage•2022

  • Principal component analysis

    Open Access•Rasmus Bro, Age K Smilde•Analytical Methods•2014

  • Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)

    Open Access•Ian M Bell, Robin J H Clark et al.•Spectrochimica Acta Part A:…•1997

  • Validating chemical and structural changes in painting materials by principal component analysis of spectroscopic data using internal mineral standards

    Open Access•Julia Romero‐Pastor, Julia Romero-Pastor et al.•Journal of Cultural Heritage•2012

Unique citing works2
Citations per year0,5
Citation span2022 - 2023 (2)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae