Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)
Bibliographic Data
| ID | 23338114 |
|---|---|
| Authors | Ian M Bell (0000-0002-8318-1657, University College London), Robin J H Clark (University College London, corresponding author), Peter J Gibbs (University College London) |
| Year | 1997 |
| Volume | 53 |
| Issue | 12 |
| Pages | 2159-2179 |
| Publication date | 1997-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy (JOURNAL) |
| Journal identifiers | ISSN: 1386-1425 • E-ISSN: 1873-3557 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/s1386-1425(97)00140-6 |
| PMID | 9437873 |
| OpenAlex | W2011959131 |
| Language | EN |
| Citations received | 145 |
| References cited | 30 |
Analytical Chemistry (journal) · Microscopy · Nanotechnology · Optics · Physics · Pigment · Raman microscope · Raman scattering · Raman spectroscopy · Building materials and conservation · Chemistry · Conservation Techniques and Studies · Cultural Heritage Materials Analysis · Environmental Chemistry · Materials Science · Organic Chemistry
An Uncommon Instance of Egyptian Blue in the “Pigmented Intonachino” of the Fishpond Wall Painting From the Roman Villa of Torre di Pordenone (Northeast Italy)
El arte rupestre esquemático del Arroyo Barbaón (Parque Nacional de Monfragüe, Cáceres)
Pigments from the Zuiddorp ( Zuytdorp ) ship sculpture
Polychromy on the Antonine Wall Distance Sculptures
Ethiopian Manuscript Maywäyni 041 with Added Miniature
Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation
Micro‐Raman spectroscopy of carbon‐based black pigments
Raman identification of natural red to yellow pigments
Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass
Mineral Pigments in Archaeology
Investigation on restoration materials and techniques on bronze artifacts using non-invasive imaging and spectroscopic methods
Multi-analytical investigation into the materials and techniques of paintings on Northern Wei Dynasty (398–494 CE) coffin planks excavated from Shanxi, China
Unveiling Polychrome Printing Methods on Textiles
Holy Corn. Interdisciplinary Study of a Mexican 16th-Century Polychrome Maize Stem, Paper, and Colorín Wood Sculpture
Investigating polychromy on the Parthenon’s west metopes
Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases
Multi-analysis technique researches the painting materials and technics of polychrome arhat statue in Lingyan Temple, Shandong Province, China
Characterization of the artist's palette from the polychrome decorations of the El Bahia Palace doors (Marrakesh, Morocco)
Spectroscopic analyses of Hellenistic painted plasters from 2nd century B.C., Sicily (South Italy)
Stratigraphic EM-EDS, XRF, Raman and FT-IR analysis of multilayer paintings from the Main Altar of the St. James Church in Levoča (Slovakia)
Laser-induced breakdown spectroscopy and Raman microscopy for analysis of pigments in polychromes
Characterising the unique polychrome sinopia under the Lod Mosaic, Israel
Analytical investigation of the original painted canvas of Santa Irene , by Giuseppe Verrio (Church of Sant'Irene, Lecce, Italy)
Identification of Lithol Red Synthetic Organic Pigment Reveals the Cause of Paint Layer Degradation on the Lazar Vozarević Painting “Untitled” with Copper Plates
The Choir Books of San Giorgio Maggiore in Venice
Raman Spectroscopic Analysis of an Early 20th Century English Painted Organ Case by Temple Moore
A Comprehensive and Systematic Diagnostic Campaign for a New Acquisition of Contemporary Art—The Case of Natura Morta by Andreina Rosa (1924–2019) at the International Gallery of Modern Art Ca’ Pesaro, Venice
Exploring Colour Palette in Pottery from Western Anatolia and East Asia—Colour Schemes to Inspire
Investigation of the Pigments and Glassy Matrix of Painted Enamelled Qing Dynasty Chinese Porcelains by Noninvasive On-Site Raman Microspectrometry
By the Hand of Angelos? Analytical Investigation of a Remarkable 15th Century Cretan Icon
Blues from Tikuna/Magüta Masks and a Still Unknown Blue Colorant in Technical Art History and Conservation Science
On the Hierarchical Use of Colourants in a 15th Century Book of Hours
Correlation of Visible Reflectance Spectrometry and Portable Raman Data for Red Pigment Identification
On the Identification of the a fresco or a secco Preparative Technique of Wall Paintings
Complex Relationships
Codex 4D” Project
Climate Risk and Conservation Challenges at Palermo’s Specola Museum
What You Clean Is What You Get
Non-Invasive Technical Investigation of English Portrait Miniatures Attributed to Nicholas Hilliard and Isaac Oliver
Jazz Colors
Deciphering Photographic Papers
A Multi-Analytical Study of Egyptian Funerary Artifacts from Three Portuguese Museum Collections
Disclosing Colors and Pigments on Archaeological Objects from the Aga Khan Necropolis (West Aswan Egypt) through On-Site Analytical Methods
Identification of Pre-1950 Synthetic Organic Pigments in Artists’ Paints. A Non-Invasive Approach Using Handheld Raman Spectroscopy
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting
New Insight on Medieval Painting in Sicily
Reviving Alexander Calder’s Man-Eater with Pennants
Magic Lantern Glass Slides Materials and Techniques
From Flanders to Portugal
Chemical Characterization of Pope Pius VII Ancient Ecclesiastical Vestment by a Multi-Analytical Approach
Protocol for the Analysis of Cross-Sections from Gilded Surfaces
The rise of the Maritime Silk Road about 2000 years ago
Use of variscite as a gemstone in the Late Bronze Age Royal Tomb at Qatna, Syria
Non-invasive scientific studies on the provenance and technology of early Islamic ceramics from Afrasiyab and Nishapur
Characterization of painting pigments and ochres associated with the Hoabinhian archaeological context at the rock-shelter site of Doi Pha Kan (Thailand)
Chemical characterization of black and red inks inscribed on ancient Egyptian papyri
Raw Materials and Technological Choices
Sgraffito, zwischgold et brocart appliqué. La dorure dans tous ses états au sein de quelques peintures murales (XIe-XVIe siècle) du Sud-Ouest de la France
L’illusion de l’or
Raman Analysis on 18th Century Painted Wooden Statues
Le pigment d’aérinite dans deux peintures murales romanes du Sud-Ouest de la France
Developing a non-invasive approach for prehistoric rock art characterization based on smartphone imaging colorimetry and spectroscopy
Evaluation of the efficacy and durability of the “barium hydroxide method” after 40 years. Multi-analytical survey on the Crocifissione by Beato Angelico
Multi-analytic characterization of colorants in two impressions of an Utagawa Toyoharu perspective print
Pseudoboleite as an alteration product of azurite in the painted stone of the mullioned windows of the Bargello Palace (Florence)
Virtual reconstruction on original color of color-faded painting on bronze mirrors supported by non-destructive spectroscopic techniques
A los pies de la diosa. Contexto y análisis de la escultura de mármol griego documentada en el patio del yacimiento tartésico de Casas del Turuñuelo (Guareña, Badajoz, España)
Identification of pigments used in rock art paintings in Gode Roriso-Ethiopia using Micro-Raman spectroscopy
The oldest evidence of painted furniture from Sweden – The 12th century chair from Suntak
Characterization of the early Byzantine pottery from Caričin Grad (South Serbia) in terms of composition and firing temperature
Identification of black pigments on prehistoric Southwest American potsherds by infrared and Raman microscopy
Identification of colourants in icons of the Cretan School of iconography using Raman spectroscopy and liquid chromatography
Raman analysis of ninth-century Iraqi stuccoes from Samarra
A Raman spectroscopic study of glass trade beads excavated at Mapungubwe hill and K2, two archaeological sites in southern Africa, raises questions about the last occupation date of the hill
Raman microscopy in archaeological science
What were the colors of the Parthenon? Investigation of the entablature's cornice blocks
In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint
A comparative study of wall paintings at the Cypriot monastery of Christ Antiphonitis
The constituents of the ink from a Qumran inkwell
Pigment analysis in Bronze Age Aegean and Eastern Mediterranean painted plaster by laser-induced breakdown spectroscopy (Libs)
Study of the stability of a series of synthetic colorants applied with styrene-acrylic copolymer, widely used in contemporary paintings, concerning the effects of accelerated ageing
A multidisciplinary approach for the study and the virtual reconstruction of the ancient polychromy of Roman sarcophagi
Characterization of the Chemical Nature of the Black Ink in the Manuscript of The Gospel of Jesus's Wife through Micro-Raman Spectroscopy
Characterization of black paint on Aconcagua Salmon ceramics from the Late Intermediate and Late periods (AD 1000–1540) in Central Chile using LA-ICP-MS and Raman spectroscopy
Cyprus in colour
Revealing Clues from Textile Particulate through Microscopy, Infrared Spectroscopy, and X-ray Microanalysis
Analysis of the ruined murals from the Resurrection Church of the Derevyanitsky Monastery (Veliky Novgorod, Russia)
Preliminary investigation of the painting technique of Thalia Flora-Karavia (1871–1960)
The application of state-of-the-art technologies to support artwork conservation
Non-destructive classification of ancient mural pigments by hyperspectral imaging
An XPS study into sulphur speciation in blue and green ultramarine
Time resolved laser induced fluorescence for characterization of binders in contemporary artworks
First applications of non-invasive techniques on Algerian heritage manuscripts
A multi-analytical study of the Belarusian icon “Virgin Eleusa” (XVII cent.)
The deposition from the Cross in the church of Saint-Germain-en-Laye (France)
San Francesco d'Assisi (Apulia, South Italy)
Combining in situ elemental and molecular analysis
An interdisciplinary investigation on Daoist Wushi (五石, five minerals) unearthed from three tombs dated to the Eastern Han Dynasty (AD 25–220) in Xianyang City, China
Mobile hyperspectral imaging for the non-invasive study of a mural painting in the Belves Castle (France, 15th C)
From Archaeology to Archaeometry
| Unique citing works | 145 |
|---|---|
| Citations per year | 5,58 |
| Citation span | 2000 - 2026 (27) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 140 |