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Rejlander in Wolverhampton

His sponsorship by William Parke

Bibliographic Data

ID14693545
AuthorsAlan George Fielding (corresponding author)
Year1987
Volume11
Issue1
Pages15-22
Publication date1987-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHistory of Photography (JOURNAL)
Journal identifiersISSN: 0308-7298 • E-ISSN: 2150-7295
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/03087298.1987.10443763
OpenAlexW2077581524
LanguageEN
Citations received1

The study of Rejlander's life and career by Edgar Yoxall Jones1 contains a chapter on the time he spent in Wolverhampton. Jones was particularly interested in Rejlander's studio there, and managed to have the house at 42 Darlington Street, which he correctly thought had been the studio, photographed (figure 1) just before it was demolished in 1966 to make way for the town's ringroad. Indeed, little remains of the town in which the artist Rejlander worked after learning the skills of photography in an afternoon spent at Nicholaas Henneman's studio in Regent Street, London in 1853.2 Today the office of a computer firm stands on the site of the studio at a roundabout on the ringroad (figure 2). Jones states that ‘culturally, Wolverhampton was a backwater. What culture there was was centred around the bookshop of William Parke, who was also part-owner of the Wolverhampton Chronicle.’3

Art · Art history · Photography · Regent · Studio · Visual arts · Art History and Market Analysis · Cinema and Media Studies · Photography and Visual Culture

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    Bridget Ann Henisch, H K Henisch•History of Photography•2004

Unique citing works1
Citations per year0.05
Citation span2004 - 2004 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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