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Bibliographic Data

ID14770279
AuthorsMichèle Coquet (corresponding author)
Year1994
Volume64
Issue2
Pages39-63
Publication date1994-01-01
Open AccessNo
TypeARTICLE
VenueJournal des africanistes (JOURNAL)
Journal identifiersISSN: 0399-0346 • E-ISSN: 1957-7850
PublisherPERSEE Program (PUBLISHER)
DOI10.3406/jafr.1994.2400
OpenAlexW2078849095
LanguageEN
Citations received4

The part of the body that especially expresses a person's humanity is the face. For the Bwaba (Burkina Faso), the face is not a natural fact of human morphology. A person acquires a face only when it is marked with graphic incisions. These figures transcribe the myth of the world's creation according to which the human face was born from the tears a god shed when his twin committed a transgression whence death ensued. The trail of his tears drew the first motif ; it has always been marked on cheeks since then. Owing to its form, the flowing tears that marked it and the figures decorating it, the face is the paradigm of a human being's relation to the world of the gods and to the world of the past whence he springs and where he is destined to return. For the Bwaba, the world's origins are revealed in the depths of the eye, beyond the black pupil

Aesthetics · Archaeology · Art · Humanity · Literature · Mythology · Tears · Theology · Aging, Elder Care, and Social Issues · Agriculture and Rural Development Research · French Urban and Social Studies · History · Medicine · Philosophy

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    Open Access•Catherine Breniquet•Cahiers « Mondes anciens•2022

  • Corpus religiosum. La question des marques corporelles dans le christianisme latin

    Open Access•Jean‐pierre Albert•Nouvelles perspectives en…•2020

  • Réflexions sur la rareté des images d’enfants dans l’art rupestre du Sahara

    Open Access•Christian Dupuy•Journal des africanistes•2023

  • À main levée. La scarification comme œuvre

    Michèle Coquet•Gradhiva•2013

Citations per year0.31
Citation span2013 - 2023 (11)
Highly citedNo

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