Skladatelji in občinstva med visoko in popularno kulturo
K teoriji in zgodovini družbene recepcije opere
Bibliographic Data
| ID | 14780648 |
|---|---|
| Authors | Vlado Kotnik (University of Primorska, corresponding author) |
| Year | 2012 |
| Volume | 48 |
| Issue | 1 |
| Pages | 129-164 |
| Publication date | 2012-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.48.1.129-164 |
| OpenAlex | W578077236 |
| Language | EN |
| References cited | 11 |
Članek predstavlja refleksiven pregled nekaterih primerov družbene recepcije opere. Pri tem so izpostavljeni štirje modeli družbene recepcije opere: 1) Mozart, hibridizem in divergentna kultura; 2) Wagner, avantgardizem in visoka kultura; 3) Meyeerber, komercializem in popularna kultura; 4) Verdi, belkantizem in ljudska kultura
Art · Humanities · Physics · Theology · Balkan and Eastern European Studies · Diverse Musicological Studies · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |