The Slovenian Philharmonic after the Second World War – From Ideology and Professional Disputes to Art
Bibliographic Data
| ID | 14780868 |
|---|---|
| Authors | Katarina Bogunović Hočevar (University of Ljubljana, corresponding author) |
| Year | 2014 |
| Volume | 50 |
| Issue | 1 |
| Pages | 49-61 |
| Publication date | 2014-07-15 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.50.1.49-61 |
| OpenAlex | W1232896555 |
| Language | EN |
Alongside the previously formed aspirations of the Slovenian music scene, the post-war period brought new opportunities and challenges. Immediately after its founding, the newly established Slovenian Philharmonic began to realise the idea of collectivism. Soon after its affirmation, however, it started to shift away from this ideal and seek a path towards a firmer programme policy. On this path, it also had to overcome certain (sometimes well-intentioned) obstacles arising from various professional societies
Aesthetics · Art · Collectivism · Ideology · Individualism · Political economy · Political science · Politics · Sociology · World War II · Balkan and Eastern European Studies · Diverse Musicological Studies · Law · Public Administration
| Citation velocity | historical |
|---|---|
| Highly cited | No |