That’s Me
Nationalism and Identity on Balkan Reality TV
Dados Bibliográficos
| ID | 14784649 |
|---|---|
| Autores | Zala Volčič (0000-0002-2154-4520, The University of Queensland, autor correspondente) |
| Ano | 2009 |
| Volume | 34 |
| Fascículo | 1 |
| Páginas | 7-24 |
| Data de publicação | 2009-03-30 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Canadian Journal of Communication (JOURNAL) |
| Identificadores do periódico | ISSN: 0705-3657 • E-ISSN: 1499-6642 |
| Editora | University of Toronto Press Inc. (UTPress) (PUBLISHER) |
| DOI | 10.22230/cjc.2009v34n1a2113 |
| OpenAlex | W1947374613 |
| Idioma | EN |
| Citações recebidas | 9 |
| Referências citadas | 14 |
In this article, we consider the themes and reception of To Sam Ja ( That’s Me) , a Big Brother–style Balkan reality TV show filmed in Macedonia in 2004 and 2005 that featured several cast members from former Yugoslav republics living together. Drawing on examples taken from the production and reception of To Sam Ja, we explore the way in which the show manages political and economic conflicts by transposing them into the realm of the personal
Aesthetics · Art · Brother · Identity (music · Literature · Media studies · Nationalism · Political science · Politics · Reality tv · Realm · Sociology · Style (visual arts · Anthropology · Balkans: History, Politics, Society · Gender Studies · Jewish and Middle Eastern Studies · Law · Memory, Trauma, and Commemoration
The Paradox of Ceca and the Turbo-Folk Audience
Unruly Puppets
Watching Pink Reality TV
Commercial and sexualized nationalism on Serbian reality TV
Resourcefulness, advocacy, gratitude
We are one Kenya
Asylum seekers, citizenship and reality TV in the Netherlands
Committed, Grateful, and Worthy of Acceptance
Impression management on reality TV
| Obras citantes distintas | 9 |
|---|---|
| Citações por ano | 0,56 |
| Intervalo de citações | 2010 - 2021 (12) |
| Velocidade de citação | historical |
| Altamente citado | Não |
| Tipos de citação | Neutras: 9 |