The performer is us
Bibliographic Data
| ID | 14810450 |
|---|---|
| Authors | Joel Chadabe (corresponding author) |
| Year | 1999 |
| Volume | 18 |
| Issue | 3 |
| Pages | 25-30 |
| Publication date | 1999-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07494469900640321 |
| OpenAlex | W2016868854 |
| Language | EN |
Interactive media present new opportunities for composers to create compositions that allow members of the public, even those without musical skill, to become performers. A categorization of different types of interactive realtime music is proposed from the perspective of the performer's role
Aesthetics · Art · Categorization · Musical · Performing arts · Sociology · Visual arts · Architecture and Computational Design · Computer Science · Music Technology and Sound Studies · Artificial Intelligence
| Citation velocity | historical |
|---|---|
| Highly cited | No |