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Ecco il vero pulcinella

Bibliographic Data

ID14814714
AuthorsMarc Buffat (corresponding author)
Year1995
Volume18
Issue1
Pages55-70
Publication date1995-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueRecherches sur Diderot et sur l Encyclopédie (JOURNAL)
Journal identifiersISSN: 0769-0886 • E-ISSN: 1955-2416
PublisherPERSEE Program (PUBLISHER)
DOI10.3406/rde.1995.1290
OpenAlexW2021564491
LanguageEN

Marc Buffat : "Ecco il vero pulcinella". A study of Diderot's comments on portraits of himself help us to understand certain aspects of his aesthetics and to emphasize his strange relation to himself. Concerning æsthetics, painting is characterised by the fact that the person represented is seen as both a living being and a painted being ; concerning his relation to himself, what is striking is that Diderot perceives himself as another, as can be seen in three factors : he presents himself as seen from outside, he removes personal pronouns and possessives and he considers himself from the standpoint of posterity

Art · Linguistics · Literature · Possessive · Reflexive pronoun · Computer Science · French Literature and Criticism · Historical and Literary Analyses · Historical and Literary Studies · Philosophy

Citation velocityhistorical
Highly citedNo

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