Music analysis and reception behaviours
Sommeil by Pierre Henry
Bibliographic Data
| ID | 14872205 |
|---|---|
| Authors | François Delalande (corresponding author) |
| Year | 1998 |
| Volume | 27 |
| Issue | 1-2 |
| Pages | 13-66 |
| Publication date | 1998-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of New Music Research (JOURNAL) |
| Journal identifiers | ISSN: 0929-8215 • E-ISSN: 1744-5027 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/09298219808570738 |
| OpenAlex | W2044059586 |
| Language | EN |
| Citations received | 4 |
| References cited | 2 |
Sommeil, from Pierre Henry's Variations pour une porte et un soupir, provides the basis for an investigation into listening strategies. Methodological problems raised by the analysis of acousmatic music are considered, followed by a discussion of the three types of listening behaviour revealed in a study of eight subjects’ responses to the piece: taxonomic listening, empathic listening, and figurativisation. Three further, complementary listening behaviours are also considered, and the implications for music analysis outlined
Active listening · Cognitive psychology · Communication · Music Technology and Sound Studies · Musicology and Musical Analysis · Neuroscience and Music Perception · Psychology
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,16 |
| Citation span | 2001 - 2022 (22) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |