The Language of Electroacoustic Music
Bibliographic Data
| ID | 23775736 |
|---|---|
| Editors | Simon Emmerson |
| Year | 1986 |
| Publication date | 1986-01-01 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Language Electroacoustic Music (SOURCE_BOOK) |
| Publisher | Palgrave Macmillan UK (PUBLISHER) |
| DOI | 10.1007/978-1-349-18492-7 |
| OpenAlex | W4300838235 |
| ISBN | 9781349184927 |
| Language | EN |
| Citations received | 25 |
Since the inception of electroacoustic music in 1948, much has been written about technical developments. This book is one of the first to examine aesthetic issues central to this rapidly developing g
Art · Electroacoustic music · Linguistics · Musical · Visual arts · Computer Science · Music Technology and Sound Studies · Philosophy
A casa e a represa, a sorte e o corte ou
O local da cultura na música eletroacústica
Multidimensional representation of electroacoustic music
Music analysis and reception behaviours
Unfolding the natural sound object through electroacoustic composition
Modalities of signification in contemporary music
Telling tales
New instruments for the performance of electronic music - Introduction
Acoustic lexemes for organizing internet audio
Imagining the Source
Movement as Perception
Reflections on the poetics of time in electroacoustic music
Autonomy, Mimesis and Mechanical Reproduction in Contemporary Music
Touching the Sound, Sounding the Touch. The Tactile Experience in the Music of Santiago Diez-Fischer as a Presentational Symbol
Exploring sound through the synthesizer in Ludmila Frajt's Nocturne
Acoustic Ecology and the World Soundscape Project
Centrality of Téchne for an Aesthetic approach on electroacoustic music
Sign O' the times
Weathering
Towards a Categorization of Instrumental Timbres for Analytical and Creative Purposes
Isso é ¿música? O som experimental a partir da apropriação das novas tecnologias
Soundscape, acoustic communication and environmental sound composition
Live electronic music in Britain
Inseparable models of materials and of musical design in electroacoustic and computer music
The listening imagination
| Unique citing works | 25 |
|---|---|
| Citations per year | 0,68 |
| Citation span | 1989 - 2025 (37) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 12 |