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The Revival of the Medal’

Bibliographic Data

ID14904345
AuthorsAnna Seidel (0000-0003-1753-8096, corresponding author)
Year2020
Volume32
Issue2
Pages303-312
Publication date2020-08-08
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of the History of Collections (JOURNAL)
Journal identifiersISSN: 0954-6650 • E-ISSN: 1477-8564
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/jhc/fhz013
OpenAlexW2926908626
LanguageEN

Alfred Lichtwark (1852–1914) was the first director (1886–1914) of the Hamburger Kunsthalle. At his personal instigation, a sculpture collection was founded. Focusing on contemporary sculpture, he became a pioneer in the museum world. Lichtwark aimed at introducing sculpture to a wider public: he considered contemporary medals and plaquettes to be the most suitable material for his purpose, and consequently he initiated the sculpture collection in 1891 by assembling ‘sculptures en miniature’ from Paris. In his practice he probed questions of the medals’ art historical context, as well as processes of making and display. When Lichtwark published his book on the revival of the medal – Die Wiedererweckung der Medaille – in 1897, his engagement and expertise in the field were already widely respected. While he is well known as an innovative museum director, his role as collector of contemporary sculpture has not been sufficiently appreciated. This paper suggests a re-evaluation of his achievements

Archaeology · Art · Art history · Context (archaeology) · Medal · Sculpture · Visual arts · Art History and Market Analysis · Historical Art and Culture Studies · Historical Influence and Diplomacy · History

Citation velocityhistorical
Highly citedNo

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