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The Fortnum archive in the Ashmolean museum

Bibliographic Data

ID14904580
AuthorsBen Thomas (0000-0002-6659-6930, University of Kent, corresponding author)
Year1999
Volume11
Issue2
Pages253-268
Publication date1999-02-01
Open AccessNo
TypeARTICLE
VenueJournal of the History of Collections (JOURNAL)
Journal identifiersISSN: 0954-6650 • E-ISSN: 1477-8564
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/jhc/11.2.253
OpenAlexW2108598665
LanguageEN

C. D. E. Fortnum was an active and well-connected figure in the worlds of nineteenth-century museums, collecting and scholarship. A methodical man, he kept meticulous records concerning the objects in his collection and his publications. This material, now in the Department of Western Art of the Ashmolean Museum, constitutes an important archival resource for a significant period in the history of collecting, with particular relevance for the development of the Victoria and Albert Museum and the Ashmolean Museum. Following a brief description of the contents of the Fortnum Archive, this essay focuses on Fortnum's contribution to the study of Michelangelo in order to illustrate the range of documents in the archive, and also to demonstrate how Fortnum's scholarly interests developed out of his possession of significant objects.

Aesthetics · Art · Art history · Order (exchange) · Period (music) · Political science · Possession (linguistics) · Relevance (law) · Scholarship · Visual arts · Archaeological Research and Protection · Art History and Market Analysis · Digital and Traditional Archives Management · History · Law · Philosophy

Highly citedNo

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