Seeking the live
Experiencing the Covid-19 pandemic as a postgraduate music student
Bibliographic Data
| ID | 14970753 |
|---|---|
| Authors | Alice K Rose (0000-0003-1755-7174, University of Oxford, corresponding author), Alice Rose (0000-0002-9165-4119) |
| Year | 2021 |
| Volume | 21 |
| Issue | 1 |
| Pages | 76-80 |
| Publication date | 2021-08-28 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Perfect Beat (JOURNAL) |
| Journal identifiers | ISSN: 1038-2909 • E-ISSN: 1836-0343 |
| Publisher | Equinox Publishing (PUBLISHER • GB) |
| DOI | 10.1558/prbt.19268 |
| OpenAlex | W3196487376 |
| Language | EN |
| References cited | 3 |
Onaji jikan, onaji kukan. Same time, same place. These are the words I wrote down in an interview this summer—ironically a Zoom interview that took place both at 9 am in Oxford and 5 pm in Osaka. Needless to say, this was not the fieldwork I planned when I began my PhD in 2018, although in some ways it feels fitting for a thesis on digital technologies and the ‘live’. Yet today I remain, like many of my peers, so far behind, so ‘late’, that catching up seems almost impossible. In this article, I reflect on the importance of shared time and place, not only in Japanese ‘live culture’, but also in my experience of the pandemic as a postgraduate student
Art · Media studies · Sociology · Visual arts · Digital Storytelling and Education · History
| Highly cited | No |
|---|