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For Whom Is the "Invisible" Not Visible

Reflections on Representation in the Work of Eugenio Barba

Bibliographic Data

ID14997010
AuthorsPhillip B Zarrilli (corresponding author), Phillip Zarrilli, Eugenio Barba (0000-0001-7566-0319)
Year1988
Volume32
Issue1
Pages95
Publication date1988-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTDR/The Drama Review (JOURNAL)
Journal identifiersISSN: 1054-2043 • E-ISSN: 1531-4715
PublisherJSTOR (PUBLISHER)
DOI10.2307/1145872
OpenAlexW2325384997
LanguageEN
Citations received5
References cited3

From 17-22 September 1986 I attended the International School for Theatre Anthropology (ISTA) Congress on The Female Role As Represented on the Stage in Various Cultures organized by Eugenio Barba in Holstebro, Denmark. At this particular ISTA, a great deal of controversy arose among a number of participants. Erika Munk (1986) recently severely criticized the organizational and representational aspects of this ISTA. I will focus on larger issues of representation in performance raised by the Congress and by Barba's writings about performance.' I am not concerned here with Barba's theatre directing

International school · Pedagogy · Political science · Representation (politics · Sociology · Historical and Modern Theater Studies · Law · Psychology · Spanish Culture and Identity · Theatre and Performance Studies

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Unique citing works5
Citations per year0,15
Citation span1992 - 2017 (26)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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