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A Trance Dance with Masks

Research and Performance at the Cuyamungue Institute

Bibliographic Data

ID14998617
AuthorsFelicitas D Goodman (corresponding author)
Year1990
Volume34
Issue1
Pages102
Publication date1990-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTDR/The Drama Review (JOURNAL)
Journal identifiersISSN: 1054-2043 • E-ISSN: 1531-4715
PublisherJSTOR (PUBLISHER)
DOI10.2307/1146010
OpenAlexW2330970891
LanguageEN
Citations received2
References cited2

Several times a year at the Cuyamungue Institute in New Mexico groups of participants in my workshops get together under my guidance to make masks and perform a dramatic dance. What distinguishes our performance from other similar ones is that our ideas and imagery do not come about by rational planning, but originate in a nonordinary dimension of reality, to which we gain access via a particular kind of change of consciousness-the religious trance

Aesthetics · Art · Cognitive psychology · Consciousness · Dance · Dimension (graph theory · Sociology · Trance · Visual arts · Anthropology · Mathematics · Neuroscience · Psychology · Religious Tourism and Spaces

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    Open Access•Tom Vine•Culture and Organization•2023

  • The Nakwa Powamu ceremony as rehearsal

    Randall T Hill•Text and Performance Quarterly•1995

  • Speaking in tongues

    Felicitas D Goodman•Speaking in tongues•1972

  • Body Posture and the Religious Altered State of Consciousness

    Open Access•Felicitas D Goodman•Journal of Humanistic Psychology•1986

Unique citing works2
Citations per year0,06
Citation span1995 - 2023 (29)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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