The Human Labor of Digital Humanities
A Note from the Trenches of Fabula(b) Theatre + New Media Lab
Bibliographic Data
| ID | 14998665 |
|---|---|
| Authors | E B Hunter (0000-0001-8083-7115, corresponding author) |
| Year | 2024 |
| Volume | 68 |
| Issue | 1 |
| Pages | 117-131 |
| Publication date | 2024-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1054204323000540 |
| OpenAlex | W4392354798 |
| Language | EN |
| Citations received | 1 |
| References cited | 4 |
At the institutional and individual level, interest is growing in theatre and performance studies digital humanities (DH) projects. Too often, this interest fizzles out in the leap from digital imaginings to production timelines that real people must execute (with real budgets). A thorough understanding of the labor structures that drive such projects is necessary in developing realistic, sustainable models of DH work
Art · Digital humanities · Economics · Humanities · Microeconomics · Sociology · Timeline · Computer Science · Digital Humanities and Scholarship · Engineering · History
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2026 - 2026 (1) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 1 |