Reactivating Medea in Hanane Hajj Ali’s Jogging
Bibliographic Data
| ID | 14998891 |
|---|---|
| Authors | Marina Johnson (0009-0001-9617-5141, corresponding author) |
| Year | 2024 |
| Volume | 68 |
| Issue | 4 |
| Pages | 155-159 |
| Publication date | 2024-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1054204324000364 |
| OpenAlex | W4405199334 |
| Language | EN |
| References cited | 2 |
Jogging: Theatre in Progress tells the story of four women, including Euripides’s Medea, who must grapple with what it means to be a woman and how to navigate the roles they take on, both consciously and unconsciously. Lebanese actress, playwright, and director Hanane Hajj Ali’s dark yet comedic one-woman show challenges stereotypes and preconceived notions that affect women in the Middle East and beyond
Hajj · Islam · Theology · Jewish and Middle Eastern Studies · Medicine · Middle East Politics and Society · Philosophy
| Highly cited | No |
|---|