"El malvado Carabel"
Impronta de Wenceslao Fernández Flórez en el cine antes y después de la Guerra Civil = "The wicked Carabel" (el malvado Carabel): Wenceslao Fernández Flórez's imprint on cinematography before and after Civil War
Bibliographic Data
| ID | 15036990 |
|---|---|
| Authors | José Luis Castro de Paz, José L Castro-de-Paz (0000-0001-9061-429X), Héctor Paz Otero (0000-0003-2787-9126), Fernando GÓMEZ BECEIRO |
| Year | 2015 |
| Volume | 24 |
| Issue | 0 |
| Pages | 241 |
| Publication date | 2015-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Signa Revista de la Asociación Española de Semiótica (JOURNAL) |
| Journal identifiers | ISSN: 1133-3634 • E-ISSN: 2254-9307 |
| Publisher | UNED - Universidad Nacional de Educacion a Distancia (PUBLISHER) |
| DOI | 10.5944/signa.vol24.2015.14721 |
| OpenAlex | W1579285948 |
| Language | EN |
| Citations received | 1 |
The wicked Carabel (El malvado Carabel), Wenceslao Fernandez Florez's novel published in 1931 which supports two momentous movies, directed respectively by Edgar Neville (1935) and Fernando Fernán-Gómez (1955), is the bridge between the best republican cinema and the tense look before the Franco's fascist horror of later spanish films, both formally and meaningfully in the 50's. The assay intends to reveal on which way Fernández Flórez's literature finds the means to offer a dark portrait of the gloomy life in our country in spanish cinema
Art · Art history · Fern · Humanities · Movie theater · Portrait · Cinema History and Criticism · Photographic and Visual Arts · Spanish Culture and Identity
| Citations per year | 0.1 |
|---|---|
| Citation span | 2016 - 2016 (1) |
| Highly cited | No |