El trascendentalismo en el cine de Douglas Sirk
Bibliographic Data
| ID | 15037356 |
|---|---|
| Authors | Emeterio Diez Puertas (0000-0002-2206-0480, Camilo José Cela University, corresponding author) |
| Year | 2007 |
| Volume | 16 |
| Publication date | 2007-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Signa Revista de la Asociación Española de Semiótica (JOURNAL) |
| Journal identifiers | ISSN: 1133-3634 • E-ISSN: 2254-9307 |
| Publisher | UNED - Universidad Nacional de Educacion a Distancia (PUBLISHER) |
| DOI | 10.5944/signa.vol16.2007.6161 |
| OpenAlex | W2148146572 |
| Language | ES |
| Citations received | 2 |
| References cited | 1 |
The article studies the presence of the transcendentalist in the movies that Douglas Sirk films between 1950 and 1959 for Universal International Pictures. This presence is detected in topics and symbols. Sirk unites this way to a literary and philosophical movement based on the intuition, the feeling and the spirit
Art · Humanities · Cinema History and Criticism · Philosophical and Cultural Analysis · Philosophy · Spanish Philosophy and Literature
| Citations per year | 0.11 |
|---|---|
| Citation span | 2007 - 2016 (10) |
| Highly cited | No |