Accountability
The ethics of devising a practice-as-research performance with learning-disabled practitioners
Bibliographic Data
| ID | 15080946 |
|---|---|
| Authors | Fran Leighton (University of Worcester, corresponding author) |
| Year | 2009 |
| Volume | 14 |
| Issue | 1 |
| Pages | 97-113 |
| Publication date | 2009-02-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Research in Drama Education The Journal of Applied Theatre and Performance (JOURNAL) |
| Journal identifiers | ISSN: 1356-9783 • E-ISSN: 1470-112X |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13569780802655830 |
| OpenAlex | W2065574807 |
| Language | EN |
| Citations received | 5 |
| References cited | 16 |
This article discusses the dilemmas encountered by non-disabled performance researchers and practitioners working with learning-disabled people. I demonstrate how the ‘accounts’ of empirical social scientists informed my PARIP [practice-as-research-in-performance] project, BluYesBlu, and how Judith Butler's reformulation of the concept of ethics, from the responsibility of the individual to negotiations within social relations, has revealed the complexity of the tensions between ‘othering’ and ‘normalising’ tendencies within this practice
Accountability · Disabled people · Empirical research · Engineering ethics · Epistemology · Negotiation · Pedagogy · Political science · Public relations · Research ethics · Social practice · Social science · Sociology · Applied Psychology · Disability Rights and Representation · Engineering · Foucault, Power, and Ethics · Law · Psychology · Theatre and Performance Studies
The Ethnographic Self
Giving an Account of Oneself
The Politics of Disablement
Bodies that Matter
Giving an Account of Oneself
Gender Trouble
Some Ethical and Methodological Issues in Research with People with Learning Difficulties
Parasites, Pawns and Partners
Queering the Crip or Cripping the Queer
Bodies That Matter
| Citations per year | 0.56 |
|---|---|
| Citation span | 2017 - 2023 (7) |
| Highly cited | No |