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Community; authenticity; growth

The role of musical participation in the Iona Community's island centres

Bibliographic Data

ID15555265
AuthorsJane Bentley (corresponding author)
Year2009
Volume2
Issue1
Pages71-77
Publication date2009-05-01
Open AccessNo
TypeARTICLE
VenueInternational Journal of Community Music (JOURNAL)
Journal identifiersISSN: 1752-6302 • E-ISSN: 1752-6299
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/ijcm.2.1.71_1
OpenAlexW2037530041
LanguageEN
Citations received1
References cited1

This report offers a descriptive account of a setting where group music-making is an integral part of the fabric of daily community life, and where the entire community becomes involved in musical interactions. It is a religious community with an explicit orientation towards hospitality and welcome; the renewal of worship, and peace and justice in the world: as such, music is used to reflect and sustain these concerns. A musical hospitality is thus offered, which necessitates an appropriate pedagogy in order to include those who have little previous experience of music making. In addition, the function and content of the music are critical in manifesting the philosophy of the community, leading to its generation and use of new songs, wee songs, and world church songs which supplement more traditional forms of church music, and help to both challenge, and nurture the life of the gathered congregation

Acoustics · Aesthetics · Art · Economic Justice · Hospitality · Management · Musical · Nature versus nurture · Political science · Singing · Sociology · Sound (geography · Tourism · Visual arts · Worship · Anthropology · Island Studies and Pacific Affairs · Law · Psychology

  • Communitas, Worship, and Music

    Open Access•Joshua Taylor•Religions•2023

Citations per year0.33
Citation span2023 - 2023 (1)
Highly citedNo

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