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Locke Minding Women

Literary History, Gender, and the Essay

Bibliographic Data

ID16003144
AuthorsWillard Walker (0000-0002-3356-8036, corresponding author), William Walker
Year1990
Volume23
Issue3
Pages245-245
Publication date1990-01-01
Open AccessNo
TypeARTICLE
VenueEighteenth-Century Studies (JOURNAL)
Journal identifiersISSN: 0013-2586 • E-ISSN: 1086-315X
PublisherJSTOR (PUBLISHER)
DOI10.2307/2738795
OpenAlexW2333854723
LanguageEN
Citations received3

IT HAS BEEN A STANDARD PROCEDURE of contemporary critics concerned with questions of eighteenth-century literary history to appeal to Locke as a foundational figure. Whether one goes to Watt or McKeon for an explanation of the rise of the novel, for instance, one finds that an account of the new philosophy in general and Locke in particular prominently figures in the explanation of the new form. Be it as analogue, paradigm, cause, or code, Lockean epistemology is cited by several other critics who have attempted to specify the enabling conditions and defining features of this principal eighteenthcentury genre.' Broader questions of post-Renaissance literary periodization have also been addressed by critics who sense literature to be tied in a fundamental way to the empiricist statement. Not just older critics such as Willey, Bate, Tuveson, Wasserman, and Abrams, but more recent ones such as Weiskel, Rousseau, and Knapp make Locke a touchstone for discriminations between the sublime, the sentimental, Romanticism, and the eighteenth-century3 The specific aspect of the Lockean statement to which several of these critics resort in order to ground their postulation of literary

Aesthetics · Art · History of literature · Literature · Sociology · Gender Studies · Historical Philosophy and Science · History · Psychology · Religion, Gender, and Enlightenment · Rousseau and Enlightenment Thought

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Citations per year0.13
Citation span2002 - 2005 (4)
Highly citedNo

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