The Dark Mirror. German Cinema between Hitler and Hollywood

Bibliographic Data

ID16539798
AuthorsAndrew Gaskievicz (corresponding author), Lutz Koepnick
Year2004
Volume27
Issue2
Pages413
Publication date2004-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueGerman Studies Review (JOURNAL)
Journal identifiersISSN: 0149-7952 • E-ISSN: 2164-8646
PublisherJSTOR (PUBLISHER)
DOI10.2307/1433125
OpenAlexW619910358
LanguageEN
Citations received15

List of Illustrations Acknowledgments Introduction: The Dark Mirror PART 1: HOLLYWOOD in BERLIN, 1933--1939 Chapter 1 Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry Chapter 2 Incorporating the Underground: Curtis Bernhardt's The Tunnel Chapter 3 Engendering Mass Culture: Zarah Leander and the Economy of Desire Chapter 4 Siegfried Rides Again: Nazi Westerns and Modernity PART 2: BERLIN in HOLLYWOOD, 1939--1955 Chapter 5 Wagner at Warner's: German Sounds and Hollywood Studio Visions Chapter 6 Berlin Noir: Robert Siodmak's Hollywood Chapter 7 Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism Chapter 8 Isolde Resurrected: Curtis Bernhardt's Interrupted Melody Epilogue: Talking about Germany Notes Index

Archaeology · Art · Art history · Astronomy · German · Hollywood · Movie theater · Physics · Cinema and Media Studies · German History and Society · History · Italian Fascism and Post-war Society

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