The Politics and Aesthetics of Operatic Modernism
Bibliographic Data
| ID | 3204078 |
|---|---|
| Authors | Michael P Steinberg (Brown University, corresponding author) |
| Year | 2006 |
| Volume | 36 |
| Issue | 4 |
| Pages | 629-648 |
| Publication date | 2006-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Journal of Interdisciplinary History (JOURNAL) |
| Journal identifiers | ISSN: 0022-1953 • E-ISSN: 1530-9169 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/002219506776023172 |
| OpenAlex | W4241349840 |
| Language | EN |
| Citations received | 4 |
| References cited | 10 |
A survey of European trends and works suggests that the extent to which operatic modernism resists the pull of ideology may well depend on two factors: the post-Wagnerian recuperation of the primacy of voice and the proclivity of modernist operatic texts and music to engage (rather than repress) nostalgia. One work not usually included in modernist canons, Erich Korngold's Die Tote Stadt, presents an interesting model
Aesthetics · Art · Ideology · Modernism (music) · Political science · Politics · Sociology · Work (physics) · Arts, Culture, and Music Studies · Diversity and Impact of Dance · Law · Musicology and Musical Analysis
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2010 - 2023 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |