Thinking with History

Explorations in the Passage to Modernism

Bibliographic Data

ID19922796
AuthorsCarl E Schorske (corresponding author)
Year1999
Pages256
Publication date1999-12-31
Open AccessNo
TypeBOOK
Reviewed byThinking with History: Explorations in the Passage to Modernism, Stanley Hoffmann, 1998
VenueThinking with History (SOURCE_BOOK)
PublisherPrinceton University Press (PUBLISHER • US)
DOI10.1515/9781400864782
OpenAlexW4248577202
Open LibraryOL29236194M
ISBN9781400864782
LanguageEN
Citations received31

In this book, the distinguished historian Carl Schorske--author of the Pulitzer Prize-winning Fin-de-Siécle Vienna --draws together a series of essays that reveal the changing place of history in nineteenth-and twentieth-century cultures. In most intellectual and artistic fields, Schorske argues, twentieth-century Europeans and Americans have come to do their thinking without history. Modern art, modern architecture, modern music, modern science--all have defined themselves not as emerging from or even reacting against the past, but as detached from it in a new, autonomous cultural space. This is in stark contrast to the historicism of the nineteenth century, he argues, when ideas about the past pervaded most fields of thought from philosophy and politics to art, music, and literature. However, Schorske also shows that the nineteenth century's attachment to thinking with history and the modernist way of thinking without history are more than just antitheses. They are different ways of trying to address the problems of modernity, to give shape and meaning to European civilization in the era of industrial capitalism and mass politics. Schorske begins by reflecting on his own vocation as it was shaped by the historical changes he has seen sweep across political and academic culture. Then he offers a European sampler of ways in which nineteenth-century European intellectuals used conceptions of the past to address the problems of their day: the city as community and artifact; the function of art; social dislocation. Narrowing his focus to Fin-de-Siécle Vienna in a second group of essays, he analyzes the emergence of ahistorical modernism in that city. Against the background of Austria's persistent, conflicting Baroque and Enlightenment traditions, Schorske examines three Viennese pioneers of modernism--Adolf Loos, Gustav Mahler, and Sigmund Freud--as they sought new orientation in their fields. In a concluding essay, Schorske turns his attention to thinking about history. In the context of a postmodern culture, when other disciplines that had once abandoned history are discovering new uses for it, he reflects on the nature and limits of history for the study of culture. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

Aesthetics · Art · Art history · Civilization · Cultural history · Economic history · Epistemology · Historicism · History of ideas · Intellectual history · Literature · Modernity · Political science · Politics · Sociology · Anthropology · Central European national history · German Colonialism and Identity Studies · History · Law · Philosophy · Walter Benjamin Studies Compilation · 19th century · Europe · Historicisme · Historisme · Intellectual life · modern · Modernism (Aesthetics) · Modernisme (cultuur) · Modernisme (Esthétique) · New York Times reviewed · Vie intellectuelle

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