Sociable Media
Phatic Connection in Digital Art
Bibliographic Data
| ID | 16714708 |
|---|---|
| Authors | James J Hodge (corresponding author) |
| Year | 2015 |
| Volume | 26 |
| Issue | 1 |
| Publication date | 2015-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Postmodern Culture (JOURNAL) |
| Journal identifiers | ISSN: 1053-1920 • E-ISSN: 1053-1920 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/pmc.2015.0021 |
| OpenAlex | W2521827291 |
| Language | EN |
| Citations received | 5 |
| References cited | 12 |
This essay argues for the impersonally social character of phatic communication in the context of contemporary networked media culture. Georg Simmel's theorization of sociability as a playfully impersonal mode of social being prior to difference provides the basis for a discussion of the pleasures of phatic communication in digital media in terms of connection not with persons but with the network itself. This pleasure has two distinct poles of experience: being and relating. The latter portion of the essay examines this distinction through the analysis of two digital artworks, Frances Stark's My Best Thing and David OReilly's Mountain
Aesthetics · Art · Character (mathematics · Connection (principal bundle · Context (archaeology · Digital media · Media studies · Mode (computer interface · Pleasure · Political science · Sociology · Cinema and Media Studies · Computer Science · Contemporary Literature and Criticism · Digital Games and Media · History · Law · Mathematics · Psychology
How To Do Things With Words
Vulgar Boredom, or What Andy Warhol Can Teach Us about Candy Crush
Culture and language use
New Media, Networking and Phatic Culture
Critical Terms for Media Studies
Are social networks technologically embedded
Cognition Everywhere
The Classical Hollywood Cinema
Games Without Play
Rfid
From Information Theory to French Theory
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,56 |
| Citation span | 2017 - 2023 (7) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |