The Programmable Image of Capital
M-I-C-I′-M′ and the World Computer
Bibliographic Data
| ID | 16715461 |
|---|---|
| Authors | Jonathan Beller (corresponding author) |
| Year | 2016 |
| Volume | 26 |
| Issue | 2 |
| Publication date | 2016-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Postmodern Culture (JOURNAL) |
| Journal identifiers | ISSN: 1053-1920 • E-ISSN: 1053-1920 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/pmc.2016.0005 |
| OpenAlex | W2548451033 |
| Language | EN |
| Citations received | 3 |
| References cited | 11 |
The selfie and fractal celebrity have become the obverse of what Sylvia Federici calls the system of global apartheid. These results of a financialized attention economy index a shift in the character of both labor and the commodity form towards screen mediated code-work and networked valorization. We can thus rewrite the labor theory of value in relation to image and code, and hypostasize the totalitarian aspirations of capitalism in the notion of “the world computer.” While traditional ontologies are devoured by the new order of value production and extraction, remainders that may be resources for transformation, exit, and defense persist everywhere
Art · Capital (architecture · Capitalism · Character (mathematics · Classical economics · Code (set theory · Commodity · Database · Economics · Economy · Image (mathematics · Index (typography · Market economy · Neoclassical economics · Order (exchange · Political science · Relation (database · Sociology · Value (mathematics · Visual arts · World Wide Web · Computer Science · Cybernetics and Technology in Society · Digital Media and Philosophy · Law · Mathematics · Artificial Intelligence
The Cultural Logic of Computation
The Society of the Spectacle
From the German Ideology
Cinema, Capital of the Twentieth Century
Decolonization, “Race,” And Remaindered Life Under Empire
Why Study the Media
Life-Times in Fate Playing
Gramophone, Film, Typewriter
Fragment from The Message Is Murder
Texas-(s)ized Postmodernism; Or, Capitalism without the Dialectic
Italian Operaismo and the Information Machine
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,38 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 3 |