Devouring Hamlet
Cultural Anthropophagy as an Adaptation Methodology
Bibliographic Data
| ID | 16919554 |
|---|---|
| Authors | Marcel Alvaro De Amorim (0000-0002-8840-8371, Universidade Federal do Rio de Janeiro, corresponding author) |
| Year | 2023 |
| Volume | 43 |
| Issue | 1 |
| Pages | 1-26 |
| Publication date | 2023-05-25 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cadernos de Tradução (JOURNAL) |
| Journal identifiers | ISSN: 1414-526X • E-ISSN: 2175-7968 |
| Publisher | Universidade Federal de Santa Catarina (UFSC) (PUBLISHER) |
| DOI | 10.5007/2175-7968.2023.e92576 |
| OpenAlex | W4378192117 |
| Language | EN |
| Citations received | 2 |
| References cited | 2 |
This paper focuses on two film productions of the Shakespearean play Hamlet (1600-1601), both made in Brazil in the 1970s. It is my contention that A herança (“The Inheritance”), by Ozualdo Candeias (1970), and O jogo da vida e da morte (“The Game of Life and Death”), by Mario Kuperman (1971), constitute intertextual works which can be understood as transcultural, anthropophagic adaptations of the Shakespearean drama
Aesthetics · Art · Drama · Literature · Sociology · History · Mathematics · Psychology · Shakespeare, Adaptation, and Literary Criticism
| Unique citing works | 2 |
|---|---|
| Citations per year | 1 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |