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Alegoria e utopia em “O Romance d’A Pedra do Reino”, de Ariano Suassuna

Bibliographic Data

ID16920671
AuthorsMarcus De Martini (0000-0002-9300-4080), Noeli Dutra Rossatto (0000-0003-4176-574X)
Year2014
Volume0
Issue49
Publication date2014-12-26
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLetras (JOURNAL)
Journal identifiersISSN: 1519-3985 • E-ISSN: 2176-1485
PublisherUniversidad Federal de Santa Maria (PUBLISHER)
DOI10.5902/2176148516637
OpenAlexW1985491794
LanguagePT

This article focuses on the Romance d’A Pedra do Reino e o príncipe do sangue do vaie-volta, a novel by the Brazilian writer Ariano Suassuna, and explores the relation between its genre and its content. Analyzing the presence in the text of millenarian and messianic ideas, related to “Sebastianism”, we reveal the importance of a complex allegorical system in this narrative. In spite of referring to a future and idealized reality, such ideas are used as an allegory to an aesthetic evasion through literature, that amounts to creating an utopian world-vision. Hence the use of the genre of “anatomy” (FRYE, 2014) as a way of exploring all the dimensions of this idea

Allegory · Art · Art history · Humanities · Literature · Millenarianism · Narrative · Politics · Romance · Utopia · Computer Science · Cultural, Media, and Literary Studies · Literature, Culture, and Criticism · Philosophy · Psychology and Mental Health

Citation velocityhistorical
Highly citedNo

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